Friday, February 17, 2012

Aleks Istanbullu: A Quest for Authenticity

Aleks Istanbullu's architecture is rooted in his personal journey as an expatriate and his quest for belonging. 
Born in Istanbul, Aleks went to boarding school in Geneva before attending IIT College of Architecture in Chicago, and moving west to set up his own design practice in Santa Monica, California.
Los Angeles in the 1980s was wide open, offering him a chance to develop his own voice. It was also a nexus of mid-century Modernism -- recalling his training at IIT where European emigrants had reinvented The Bauhaus, and his childhood growing up in Istanbul where new construction welded modernist principles into the Turkish context. 
"Los Angeles was as far west as I could go within Western civilization," he says of his move to L.A. "I think of it as a necessary exile: you actually have to be somewhere you're not familiar with, forget all the things you've learned, to find your voice. That's what many people come to L.A. for."
Aleks' design approach combines his training in classic Modernism and respect for history with a Southern California environmental and aesthetic sensibility -- blending elemental and natural concepts, and a playful, sensuous minimalism with intellectual rigor and conceptual clarity. 
"My work is very organic," he notes. "It is of the place, contextual, tactile, reflective of the light, the space, the people. It is about flow, process and experience. It comes from caring about people and the environment we live in." 
He defines his approach as follows: simplify as much as you can, build as little as you need in order to connect to the human being and achieve the desired effect. "From simplicity comes sustainability," he says. "Such an approach may depart from L.A.'s mainstream culture of size, stylized environments and landmark statements, but it's okay to be quiet. I'm more interested in connecting to the human being at an emotional level."
"I guess you cannot get there unless you've been taken out of your own cultural context," he adds, reflecting on his nomadic experience. "In Turkey I was an Armenian, in Switzerland I was a Turk, in Chicago I was a European, in L.A. I'm considered a classic modernist." Being an outsider affords him independence while influencing his work in a subconscious, subliminal way.
Aleks' multicultural voice translates into the diversity of his portfolio. He relishes working with different clients, scales and product types -- from intimate residences to large commercial or mixed-use projects, community buildings and urban infrastructure work, and from new developments to rehabilitations and adaptive re-use. "It keeps me intellectually stimulated," he says. 
His systematic approach to projects is what makes every one of them unique. All follow the same methodology grounded in traditions of proportion and design, yet each reflects the personality of each client. "It's a collaborative process, a unique journey every time. I look for the natural grain of the project and let my clients' creativity inform mine. This, I think, is what makes my architecture emotionally evocative, what makes it authentic." 
Echoing a feeling shared by many expatriates, Aleks concludes, "geographic and cultural displacement has fueled my quest for authenticity and my commitment to capturing the unique character of a place.


Written by: Marianne O'Donnell

Monday, November 21, 2011

Time and space on the High Line

During a recent visit to the High Line in Chelsea with artist-photographer Anne Troutman and while she explored, caressed and harnessed one frame after another my anticipated stroll slowed below an amble to an imperceptible movement barely more forward than backward. My sense of time and space thus altered I realized the magic of the High Line lies in exactly that – altering ones sense of space and time by scaling a meandering flight of stairs.
There are many flights of stairs to be sure, each one reveling an innumerable array of ever changing urban moments, but the constant is that once you are on the platform your perception of time and space, both physically and conceptually, are altered.  You realize you are in a place where you were not meant to be and you are free from the constancy of the streets. Standing in the middle of train tracks you are free of the delightful chaos of the city. History has been erased yet you know that everything you see has been there before but it all seems so different as if you have never really seen it before.
Sleek, thoughtful and versatile architectural detailing blended with authentic and exuberant botanical gardens weave through and sprinkle romance over what used to be the meanest and noisiest of blighted urban places. Has the Eiffel Tower been turned into a river that runs through New York turning the worst of the industrial revolution into a romantic ideal. Am I dreaming? Is this really possible? Dare I dream we wrest beauty remnants and valorize yet so much more?


photos courtesy of Anne Troutman

Tuesday, October 25, 2011

Steve Jobs


When I started using my first I-Mac I felt a intelligence that mirrored/paralleled/anticipated the human brain - or at least my own brain. I wanted to relate to it, I wanted to learn with it, I looked forward to using it...just like I looked forward to designing and making my own creative work...it became my friend, my companion...and so the entire line of Apple products have become every user’s friend and companion...after twenty years and now writing on my titanium with five or six other mac products in between…here is what I know.

Steve Jobs was the quintessential architect. He tilled that elusive ground between humanity, vision and technology to make places that related, inspired and worked. I use the word “places” because his products have a sensuous corporeal presence worthy of a relationship. That he was able to turn product after product into places we wanted to hang out in is evidence he was working from a place that captured the essence of not only of an era but of the human condition.

His vision became the vision of so many across the globe because what he saw was a renewed way of connecting human beings to the world in which we live. He was able to deliver that vision to each and every individual user because he understood, felt and believed that humans are sensate animals who react to phenomenal messaging.

Apple’s products reveal the synchronicities between those aspects of human endeavor that hitherto seemed dichotomous i.e. beauty, efficiency, intelligence, intuition, creativity, reliability, technology, sensuality... they teach us that all these are human aspirations and that we do not have to give up a single one of them to achieve the others. Only when we are able to hold and deliver on all of them simultaneously do we have a chance of producing something of lasting meaning and value with a potential to inspire others. Beyond facilitating our own creativity, his products/places inspire us to have fun doing it and to integrate as we glide through their use.

In an era of mind boggling and ethereal digital technology and in which reality is ever more elusive is it at all surprising that we latch on to and caress the beautiful physical objects that are our entry point to and continually connects us to that ethereal world? Their sensual skin, the screen’s infinite color range as versatile as nature itself, the buffered sound of the keyboard, not to mention the intuitive magic of the operating system, all these physical attributes recognize that where man-made objects meet the user an inevitable sensual “relationship” is created. Steve Jobs recognized this and tapped every resource at his disposal to achieve the highest degree of connection with each user. Beyond the trendy look, he turned each product into a place in the life for the user. That quest is architecture at its purest and Steve Jobs was at the pinnacle. 
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image courtesy of Chris Thornley / Jonathan Mak Long

Monday, September 26, 2011

AI-Architects Transforms AZ Public Garage into Grand Gallery

Collaboration between award-winning architecture firm Aleks Istanbullu Architects and world-renowned local artist Daniel Martin Diaz created "Desert Splendor," the public artwork that adorns the recently completed Centro Parking Garage in Tucson, AZ.


Below is a video chronicling the journey and featuring  AI-Architects design principal Aleks Istanbullu.




Friday, July 22, 2011

We admit it: this one is About Us.


Who we are, what we care about, why we do what we do and how we do it. Need we say more? Please check out our new “About Us” page @ 






Monday, July 18, 2011

Plaza Centro Art Project: Panel Installation!


Installation on the Plaza Centro screens has begun! The first art panels have been installed - they are inserted into a larger screen of metal mesh that will support climbing vines - eventually the art panels will float like medallions in a wall of green. We worked with Tucson based Landscape Architect Lisa Ribes and consulted with various other local experts to ensure that the selected plants will withstand the intense Arizona summers.
The flowers of Yellow Orchid Vines and Tangerine Trumpet Creeper will reflect and complement the paint accents of the projects color scheme. Check back soon to see pictures of the main art piece on the corner of Congress Street and the new 4th Street underpass.

Thursday, July 7, 2011

We hope to see you tonight!


Yes we do love this museum. And hope to see you for another exciting Exhibit opening tonight!

Plaza Centro Art Project: Teaser...


What makes a public art and architecture project successful? 
We feel that both elements have to become integrally connected - ideally picking up on inherent qualities of the other that would have previously gone unnoticed or have  been merely a byproduct and turn it into something transcendent.

When we first started the artist selection process on the Plaza Centro Garage, we were told to give the artists 3 optional areas to address. We suggested a) the facade b) the public spaces (The Arcade and the Paseo) or c) a light installation.

Daniel Martin Diaz said that he wanted to do all three - which the selection committee at the time met with some scepticism based on the budget allocation - but as we have been working with him and seen the installation come together we realized that we will really pull it off.

We promised last week that Daniels Art panels would be up by now - it will take a few more days but we don’t want to leave anyone hanging.. And since one of the most exciting things about architecture is the step from paper to reality, we’ll let you be part of that transition. Above are some concept images of the artwork. More soon...


Thursday, June 30, 2011

Construction Countdown: Plaza Centro Garage, Tucson, AZ



Just a quick update from our Plaza Centro Construction Site: The Garage is nearing completion, steel for the Arcade and the two big GreenScreens / Art installations is now going in. The screen on the southwest corner is going to be transformed by a large scale public art installation by local Tucson artist Daniel Martin Diaz - the piece will stand as a widely visible focus point and frame the historic downtown entertainment district at the north end of Congress street. 

Check back next week for a sneak preview of Daniel’s work when the pieces go up!


Wednesday, June 22, 2011

Wearable Architecture?



Our favorite Museum has just announced their next foray beyond the boundaries of architecture: 
A+D Museum’s 2011 Fundraising Gala will be themed “The Wearable” and will be a “runway event featuring wearable creations by the best and the brightest in our creative community. Designers are invited to interpret “wearable” in the broadest sense. There are no limits to design or materials; the possibilities are exponential.”

We want to know: where do we sign up?


www.aplusd.org



Friday, June 17, 2011

The path to Zero Net Energy – Part One: Seeing the whole system






The first step in our green masterplan for St Elmo was one we take very deliberately in all our projects:

It is to carefully analyze the existing conditions and identify ALL opportunities for improvement - making it a point to look beyond the requests immediately put in front of us by the client.

In this case, we knew there was more to this project than the call for a solar system. The underlying, far more complex desire of the Village was to become a model for a sustainable community.
Consequently, our analysis included all the ways in which we humans affect our environment, and determine how sustainable our existence really is:
  • Water Use  (domestic and landscaping),
  • Energy Use  (for machinery and daily use),
  • Material Use  (resources),
  • Climate  (heating+cooling), 
  • Food  (production and surplus), 
  • Waste  (treated as a resource), 
  • Community Dynamics  (teaching, learning and sharing)



“You can’t just look at one aspect of anything and really get a true understanding of it. You need to look at all aspects.”
Scott Pittman, Founder of the Permaculture Institute



[ to be continued ]

Wednesday, June 8, 2011

The path to Zero Net Energy – Introduction: It takes a village




St Elmo Village has long been a very special project to us - ever since Aleks joined their board of directors over 15 years ago. This inspiring artist community in mid-city Los Angeles has been a catalyst for positive change in the surrounding communities since 1969, teaching by example creativity, respect, and responsibility for oneself and one’s environment:

“The philosophy of St. Elmo Village is that all people are creative and powerful in their own way. Through sharing the creative process, we encourage self-confidence and self-esteem through the arts. St. Elmo Village has been providing art workshops, festivals and numerous enhancement programs in the surrounding neighborhood and the Los Angeles community at large. The Village emphasizes pride in self as well as in our environment, which instills a desire to build up...”

It was only natural then, that Jackie and Roderick approached us last fall with the desire that St Elmo should should also become an example of sustainability – as they put it: “The Village wants to get off the grid!”

We at AI Architects were thrilled about this possibility to apply the sustainable design experience and connections that we have been building over the past few years.
We developed a master plan for the “Greening of the Village” and assembled a team of experts to help implement it.

We are especially excited that Jeffrey Richardson of Imani Energy and Leigh Jerrard from the Greywater Corps will be working with us to bring solar power and greywater systems to St Elmo.

Both company’s community-oriented approach gelled perfectly with St Elmo’s desire to have the community be part of the “greening”. As much as possible, the installation of the various sustainable measures will be hosted as community events – like Greywater Corps’ popular hands-on workshops and Imani’s Solar parties.

There will also be plenty of opportunity for the community to bring their own creativity to the table: Rainwater harvesting barrels and permeable paving will become canvases for art projects, and gardening days will invite anyone in the community to come out and help to grow the village greener.

In the coming weeks we will talk more about some of the sustainable measures and ideas for The Village – so check back soon for updates!

Friday, June 3, 2011

Smart Growth vs. The American Dream



1200 Sweetzer, which we mentioned in our last blog entry, is a product of our ongoing quest to design spaces that meet both the human desires for individualized, expansive-feeling living spaces and the conservative use of resources dictated by sustainibility concerns.

As Aleks writes in his article: “From custom Homes to Multi-Unit Housing” (published in Architectural West Magazine):

The architect’s challenge [...] is to convince the American family - by now used to the advantages of single-family homes on individual plots - that they can preserve the feel and functionality of the single family home lifestyle, which presents serious sustainability challenges, while they partake in the advantage of sustainable urban communities. 

In other words: how can design help to bridge the divide between the expectations raised by our familiarity with single-family homes and a “dwelling unit” in a multi-family complex? 

And how can we do this without loosing quality of life?”

Friday, May 27, 2011

WestSide Urban Forum Award


1200 Sweetzer got a nod from the Westside Urban Forum: The 10 Unit Condominium Building will be honored at WUF’s Awards Luncheon on June 10th.

Designed to present residents with an alternative to the typical freestanding southern California house, the project consists of 10 stacked 2-story Maisonettes with all the flexibility, functionality, aesthetic control of the California lifestyle in a vibrant, dense and much more sustainable urban setting.

We are honored to be recognized by one of the most influential peer and networking groups for developers, planners, designers, architects and community members in L.A.
We will be attending the event in memory of the late John Chase, who had been a great champion for the project during the design and approval phases in 2008.

Thursday, May 26, 2011

It Takes a Team: The poetry of Complexity

Architecture has become incredibly complex and requires a myriad of specialists to be effective and credible.

Within this context it is increasingly hard to maintain intimacy in design and a poetic relationship between the work and the public.

Our design studio excels in close-knit, integrated teamwork with select specialists to deliver innovative, intimate, professional hands-on design informed by the knowledge of a vast array of experts.



Monday, May 16, 2011

Harris & Ruble Gallery - New Exhibition


Housed in a 1937 Art Deco Building that originally housed the Agfa-Aansco Film Exchange in the early days of Hollywood, the Harris & Ruble Law Offices and Art Gallery is quickly establishing itself as Hollywood’s fashionable gallery for fine art and photography exhibitions.
AI Architects restored the building’s original detailing and spatial organization to accommodate law offices for ten attorneys, an art gallery, and an artist’s studio in 2009.

Layers of scabbed-on finishes were carefully stripped away, exposing original fenestration, ironwork, and the original columns and beams. All fenestration was freed from layers of paint, plastic, blinds, and other barriers. Windows were partially re-glazed and original frames and hardware restored.

New architectural elements were kept to a minimum, recreating a layout very similar to the original 1937 floor plans. The few new walls and low partitions were carefully inserted into the space, holding them back from the historic structure to allow the original space to re-establish itself and reverberate throughout.
Harris & Ruble Art invites to the newest exhibit:
“HOLD STILL”
photography by
Lauri Gaffin

Photographs with a whimsical sense of humor
and an irresistible attraction to beauty

The Artist’s reception takes place Saturday, May 21, 5-9 pm




Wednesday, May 11, 2011

"Preservation on the Edge"

Aleks Istanbullu and Anne Troutman’s Home on Second Street in Santa Monica will be one of three architecturally significant buildings on the “Stewardship at home” tour as part of The California Preservation Foundation’s “Preservation on the Edge” Conference.

The 1875 Carpenter Gothic Revival style Church is the oldest wood structure in Santa Monica. Moved to its present location in 1903, its first use as a residence in 1971 resulted in very few changes. Seven years ago architect Aleks Istanbullu and artist-architect Anne Troutman restored and renovated the landmark building as their home and art studio.

The four day conference (May 15 - 18, 2011) takes place in and around Santa Monica and includes lectures, workshops, and exclusive tours and events exploring the future of preservation and its essential role in sustainability, economic development, and community character.

It will offer a wealth of information and is open to  Architects, Building Officials, LEED Accredited Professionals, Planners, Landscape Architects, Historians, Engineers, Educators, Contractors, Historic Property Owners and anyone interested in protecting California’s rich and diverse heritage.

For a full schedule and ticket information go to:

Tuesday, May 10, 2011

Lago Vista wins Bronze in International Design Awards (TM)





The Lago Vista Guesthouse won a Bronze Medal and honorable mention in the Architecture Category of the 2010 International Design Awards!
“This retreat at the top of a densely vegetated canyon creates a “Place for contemplation” and a full guesthouse with bedroom, bath and kitchen.
Referencing the color and movement of the canyon grasses with a bold and whimsical graphic pattern, the building presents itself alternately as a striking feature or nestled subtly into the landscape, engaging its natural surroundings in sculptural expression.
Divided into two pure volumes, the space belies its 855 SF floor plan. The interior is a play of views through and across each space, creating surprising spaciousness and connections between the guest rooms in the lower volume, the library/retreat cube, in- and outside. The spaces engage the sky and the canyon in unexpected ways, including a glass corner with a view over a lily pond and the garden below.
Deep window recesses and floor-to-ceiling casework create a peaceful room with soft natural light and views of the canyon - an ideal place for study, repose and connecting with nature.”

Congratulations to the project team!

The Awards Presentation takes place
May 15th, 2011  5-8 pm
at dtank studio, 7635 San Fernando Rd, Bldg 8C Burbank, CA 91505





Wednesday, May 4, 2011

U of A decides to move into Plaza Centro

Our Plaza Centro Masterplan moves into the next round with University of Arizona’s announcement of a new Student Housing project on top of the Plaza Centro Garage (currently under construction and scheduled to open in August 2011)

This partnership is particularly exciting because it fulfils one of the main urban design intents of the masterplan: When AI Architects completed the first phase of plan for the revitalization of Tucson’s Historic Downtown Entertainment District in August 2009, thousands of Tucson residents celebrated the much anticipated opening of the 4th Avenue underpass as downtowns new main artery:

“The last couple of years, downtown has been going through a renaissance and is becoming the urban center that it once was,” [...] “The new Fourth Avenue underpass creates a boulevard from downtown to the university. That’s big.”    AZ Daily Star 8/13/09


The partnership with U of A was welcomed with even greater enthusiasm:

“The Modern Streetcar serves almost as a campus extension into the downtown area, with students, faculty members and visitors being able to move back and forth within minutes, and without the need for a car and all of the challenges it presents.[...] “Today’s announcement of hundreds of new UA residential units in the downtown is a big step toward implementing [our shared] vision. It will also help build the downtown economy and reduce the demand for mini-dorm housing in neighborhoods near the central campus.” Tucson Weekly, 4/13/2011








Monday, April 25, 2011

Clients, Context and Community

Aleks Istanbullu Architects is based in Santa Monica, California. Known for our elegant spatial planning, attention to detail, and commitment to sustainable contemporary design, we are internationally recognized for award winning projects, which we shape in response to clients, context, and community.

We recognize the complexities of public/private partnerships in urban settings, prioritizing the tactile, functional and aesthetic needs of residents and pedestrians alike. Our current work applies this sensibility to thoughtfully designed and detailed projects from single-family dwellings to urban planning.

Featured Projects (left to right): 
Westchester Library, Los Angeles, CA 
St Elmo Village Community Studios, Los Angeles, CA 
Church of Our Saviour, San Gabriel, CA